Essays on malory c.s. lewis

Even the most fantastic myths, legends and fairy tales differ from modern fantasy genre in three respects: Modern genre fantasy postulates a different reality, either a fantasy world separated from ours, or a hidden fantasy side of our own world.

Essays on malory c.s. lewis

Otto might well say, indeed, that Goodman does Essays on malory c.s. lewis what we expect to be done in the moral tradition of religious Israel, rendering God increasingly comforting, reasonable, just, and loving.

Yet numinosity, as something rather different, and God's own contrary personality, continue to peek out.

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Also, there is a tendency to this progression, for which Christianity might be offered, as Otto and Jung does, as the logical culmination of the process.

Goodman's reflections on this would be of interest; but we don't get any. The disinterested person reading the Hebrew Bible is more likely to be struck by the elements of fear than with the righteousness or compassion of God, such as it is.

In this, we should recollect that the apparently morally deficient character of the Old Testament God was the reason why the Gnostics rejected the proposition that he was the genuine Godhead. Instead, he was to them a kind of imposter, an arrogant, confused "Demiurge.

What we need to take away from this phenomenon is that it testifies to the moral ambiguity and ambivalence of stories about the God of the Hebrew Bible, which Goodman does not seem to recognize [ note ].

Instead, we find Goodman celebrating the text that says "Do not scorn [or abhor] the Egyptians" [Deuteronomy Ignoring this aspect of the issue, for the sake of affirming the magnanimity and love of God for all, after he leaves a large part of the population of Egypt dead, does not reassure us of Goodman's objectivity, even as his blindness to the deficiencies others see in the God of the Old Testament does not reassure us of the honesty of his theodicy.

Indeed, one cannot help but notice that the classic movie version of The Ten Commandments [] ends with the stirring exhortation only in English, of courseas Israel is about to cross the Jordan River: Et vocabis remissionem cunctis habitatoribus terrae tuae.

Proclaim liberty throughout all the land unto all the inhabitants thereof. Make no treaty with them, and show them no mercy.

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DeMille evidently thought that proclaiming liberty echoing the Liberty Bell sounded better than mass murder without mercy. However, altering the instructions of God in terms of modern liberal and anti-colonialist sensibilities is deceptive and dishonest.

And anyone who knew their Bible more likely at the time of the movie than now would detect the distortion. For our purposes here, the point is the revealing response in this case of Hollywood, out of embarrassment, to what is a morally ugly feature of the Old Testament and its deity.

No obvious "moral roots" there. It is not clear that Goodman's theodicy suffers the least embarrassment or inconvenience from this kind of thing. Instead, Goodman wants to accuse Otto of not understanding the uncompromised righteousness of the Mosaic God.

In fact, Otto may have understood better than Goodman; and it is possible that God himself feels more embarrassment than Goodman [ note ]. Let me start with the first sentence in Goodman's treatment of Otto [p.

In search of the primitive essence of the spiritual, Rudolf Otto sought to break apart the unity of holiness with goodness, peace, wholeness, love, justice, and beauty that God discovered to Abraham. The phrase, "the primitive essence of the spiritual," raises particular questions -- especially about "primitive," which will be addressed below.

Otherwise, this misstates the issue. Otto wants to discern the distinctive, characteristic, and perhaps "essential" meaning of terms like "holy" and "sacred," with their equivalents in other languages.

What this would have to do with "the spiritual" is a further question, But do we not think spirits [ [ ] or the children of gods? Socrates got Meletus to admit that if there were "spiritual,"thingsthen there are "spirits," ; and if there are spirits, then there are gods.

But these words don't mean the same things now, and "spiritual" seems to get used to mean almost anything. So what Goodman says doesn't tell us much, and certainly nothing about what Otto was doing.

Perhaps that was the point. If Otto's goal was vaguely "spiritual," then perhaps his mind was just as vaporous as those who speak confusedly about "spiritual" things, often because they don't believe in "institutionalized religion" and have no inclination to profess any identifiable faith.

I'm not sure how much scholarship is necessary to reach such a conclusion. This is very far from what we are dealing with in Rudolf Otto, whose objects are the faith and practice of actual religions.

The more familiar we are with them, the better. So, for a first sentence, this seems like a bad start. The irony, perhaps, of Goodman's remark here, is that in the theory presented in these pages, following Kant, Fries, and Otto, there is a unity of the holy with all other forms of value.

But this unity only occurs among things in themselves, while in phenomenal reality value splinters into separate categories, like the magnetic substates in quantum mechanics illustrated in the diagramwhich vary independently -- with the primary evidence for this being the occurrence of dilemmas.Hamlet: The Prince or The Poem?

by C.S. Lewis “A critic who makes no claim to be a true Shakespearian scholar and who had been honoured by an invitiation to speak about Shakespeare to such an audience as this, feels rather like a child brought in at dessert to recite his piece before the grown-ups.”.

On Reading 'The Faerie Queene' by C.S. Lewis He has a number of essays relating to The Fairie Queene, and when I stumbled on this one, I thought it a perfect beginning. More words of wisdom on reading The Faerie Queene from a Pilgrim in Narnia. Posted by cleopatra at Books, Manuals and Magazines Click here for M A G A Z I N E S Click here for MANUALS Click here for BOOKS.

Some of them are about old cars (Haynes etc), II world war, antiques, household, photography, models, boating etc.. SHORTWAVE MAGAZINES. C.S.

Essays on malory c.s. lewis

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The Venerable Bede, in his monastery at Jarrow, completes his history of the English church and people. As a literary genre of high culture, romance or chivalric romance is a type of prose and verse narrative that was popular in the aristocratic circles of High Medieval and Early Modern were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a developed further from the epics as time went on.

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